The homophobia of the State in post-Hitler Germany, in one of the games of the year

Franz Rogowski and Georg Friedrich, in a scene from
Franz Rogowski and Georg Friedrich, in a scene of “Great Freedom”, one of the most popular films of 2021 and which is a show of music for Mubi.

Everybody knows that, in order to persecute and exterminate the millions of people living in the Holocaust, the Nazis also wanted to be gay in the German homosexual population, and those who are executives are considered to be inferior. the society.

But what all the world knows about himself, without falling into the clutches of the inhumane impulses of the Third Reich, the life of homosexuals in Alemannia después de la caida de Hitler continues seio un infierno en ambos lados del Muro de Berlín, debido to the application of the Llamado Article 175 of the Code of Penalties of Germany, subject to the finals of the 19th century, was abolished in 1994.

Según Heiko Maas, former Minister of Justice of Angela Merkel, said that 70,000 homosexuals were prosecuted for this law, which is the norm with the relationship between men.

The lives of people who were devastated by the diary of the eldest world of Germany in the reconstruction of the country through the horrors of Nazism. The problem is that other horrors are burning, and in 2017, the State of the Almighty meticulously discouraged the persecution of homosexuals, when the mayor of these affected people was affected by habían fallecido.

Essay oscuro -y mayoritariamente desconocido- capítulo de la historia alemana es la base de la nueva película del director austríaco Sebastian Meise, “Great freedom”, that you will receive a premium at the Cannes Film Festival and be selected for the competition to compete for the Oscars, which will finally be streaming as the main entertainment site in the Mubi platform.

He treats a strong, poetic, emotional and emotional play, embedded in a centrally interpretable interpretation by Franz Rogowski (“Transit”, “Undine”) as a man who is condensed in a way of life only through sexual orientation, and that empieza a sentir algo cercano a la libertad al dar la espalda a la sociedad “civilizada” y convivir con los otros presidiarios, en una istoria que abarca desde los años inmediatamate posteriores al nazismo hasta la década del 70.

Sebastian Meise, director of
Sebastian Meise, director of “Great Freedom”.

In a dialogue with Infobae by Zoom desie Viena, the director Sebastian Meise said that he would discover the devastation that produced the Article 175 in generations of gay German people, the point of the part for the elaboration of the guillotine of the pelvis, which he said.

“I am very familiar with this law. Sabia por supuesto que la homosexualidad había sido ilegal en Alemania, al igual que estuvo penada durante mucho tiempo en todo el mundo, y había escuchado hablar del Articulo 175 ”, The director said.

To be a personal homosexual, said Meise, he was “Avergonzado” por desconocer algo tan dramático que había affectado a cientos de miles de personas hace no demasiado tempo.

“I was very interested in the topic, he spoke with people who had a hard time. I also found in the community that Germany is among the most young people, and it is clear that I have a lot of ideas that I have decided. Include my father, who created in the 50’s and 60’s, there is also nothing ”.

Meise señala sin embargo que pese a haber realizado un extenso process of documentation, la película es estricamente una ficción, y el personaje interpretado por Rogowski, tal vez el el europeo más importante en la actualidad después de sus dos trabajos mayores con Christian Petzold, es a fictional construction.

Tras lota protagónicos en las dos ultimas películas del director alemán Christian Petzold, Rogowski se consagra en
Tras los protagónicos en las dos ultimas películas del director alemán Christian Petzold, Rogowski se consagra en “Great freedom”.

“I don’t want to be able to write a letter, but when we get an example of financial money and a real-life game, Franz is my first choice. I am one of my favorite actors and the chemist who I have with Georg [Friedrich, co-protagonista de la película] it was very singular. They also know that this is the best place to live, ”said Meise, adding that The play “El beso de la mujer araña”, based on the novel by Argentine Manuel Puig, is one of the influences of the conception of “Great Freedom”, as well as the history of a romance between the presiding victories of political repression.

“You teenager and I love you, I love you. It was possible to give a great reference to my movie, but I did not have to live in front of the wheels, I said the last thing. From all forms, I believe that it is a story that made me very poor, with the extreme homosexual and loca siendo la representation of the gay. Because I want to play the same thing in my game, I want to have something else, without affection. Solo son personas que aman a las personas equivocadas para los estandard de la epoca ”.

A historical story … and actual

More thanks to the infobae that most of the excellent reception of the film festival and part of the critique, one of the most important things that has generated the great freedom of “Great Freedom” has been the conversation that provoked so much in Germany as in other countries to play about a little known in the history of this country.

“We have projected many projections and discussions, and the history has deciphered the history of the events of this year, due to the fact that in Germany in 2017 the Ministry of Justice wrote discourages and established the payment of reparations to its victims”, explica.

The Minister of Justice of Germany, Heiko Maas, who will be discouraged in 2017 in the name of the State through the persecution of homosexual persons (John Macdougall / Pool via REUTERS)
The Minister of Justice of Germany, Heiko Maas, who will be discouraged in 2017 in the name of the State through the persecution of homosexual persons (John Macdougall / Pool via REUTERS)

Ree Cree que este reconocimiento por parte del Estado alemán llegó demasiado tarde? “Good, the majority of the victims affected by this death have died for this moment, and those who have lived in the world, Ahora no queremos su dinero. Jódanse, ya superamos esto, el haber sido marcados como criminales toda nuestras vida. But we don’t need swallows”.

Without embargo, Moses created the relevance of the game to most of the recovery of a historical episode. “It’s not only in my country Austria that conservatives and ultra-girls are still, it’s all over the world. The rights that we have won as a collective are coming to us and giving us money. Because of this, I created a story that made me play a story of love, a relationship about the humanity of the people, but also a real aspect of politics. Against this, now, in the middle of the advance of the ultra-right, it is a political act ”


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